Introduction

 

 

 

Notes without Notebooks: Freehand

Cornelius Castoriadis

 

Cornelius Castoriadis never had a notebook. He wrote on the paper that was at hand. Whether it was the back of Red Cross ration tickets, the blank section of a conference schedule, or the reverse side of old documents from his workplaces such as the OECD and the Hôpital Henri-Rousselle, like a keen-eyed magpie he worked on the paper that was nearby. He sketched out his thoughts in a manner that combined an acerbic and polemical wit with an unflagging commitment to the ideals of freedom. It reveals a style that includes an alarming sense of political urgency, a fastidious care for semantic details, and an encyclopedic sweep in historical vision. These pages, collected from his archive, are now also like visual timepieces for a belated “notebook.” They have been assembled as a montage of his engagement with philosophy, economics, politics, mathematics, and include a draft of a publication in which he outlines his seminal theory of the imagination.

Castoriadis was born in Constantinople in 1922. In 1941, he joined the Communist Party of Greece. Within a year, he decided to split, and for his trenchant criticisms of all authoritarian and bureaucratic ideologies he found himself on both fascist and Communist death lists. Throughout his life, he remained a critic of Soviet Communism and all forms of totalitarianism. With the aid of a scholarship offered by the French Institute of Athens, he fled to Paris in 1945. By 1948, along with Claude Lefort, he founded the left-wing radical group Socialisme ou Barbarie (Socialism or Barbarism). This group included, among others, Jean-François Lyotard. It developed strong links with postcolonial revolutionaries like C. L. R. James, took a principled stance in support of the Algerian struggles for liberation, and influenced many workers’ movements throughout Europe. Daniel Cohn-Bendit was one of the many to cite the influence of Castoriadis’ early revolutionary writings on the student uprisings of May ’68. During this period, Castoriadis worked as an economist for the OECD, but given his status as an immigrant, he wrote under various pseudonyms. It was not until 1970 that he gained French citizenship and wrote under his own name. By 1973, he had commenced work as a psychoanalyst, and seven years later he joined the École des hautes études en sciences sociales. Throughout his life, Castoriadis was an admirer of aesthetic innovations and a lover of jazz. Octavio Paz and Milan Kundera were among the circle of his artistic friends. He died in 1997 in Paris.

autonomy

Returning from his archive in Paris, I found myself asking the question, is he a man or the emergency department of a revolutionary university? Castoriadis worked on so many fronts simultaneously, he was at home in five languages, he could switch between economic and mathematical models, and he didn’t simply apply philosophical or psychoanalytic theories. He was a genuine free radical!

 

 

Nikos Papastergiadis (b. 1962) is Professor of Cultural Studies and Media & Communications at the University of Melbourne.

 

Without the support and permission of the Castoriadis estate, this publication would not have been possible. The author would like to express special thanks to Zoé Castoriadis and Myrto Gondicas for their transcription and translation of these texts.